Archive for December, 2005

Povelicious.

Dec 31 2005 Published by Benito Vergara under puwetry

My copy of Geraldine Kim’s Povel sits invitingly on the table. The reason for this said interpellation is the very fact that its cover has been gently caressed into a come-hither curl, the said curl aided by the lucky confluence of two forces: one, by the manual endeavors of human hands, i.e., mine, and two, by supernatural agency, i.e., the heat and humidity of the Philippine tropics, though the latter is more appropriately “natural,” but as E.E. Evans-Pritchard reminds us in his writings on the Azande which has graced many an introductory anthropology reading textbook, like the one I’ve been using for a few semesters now, the divide between natural and supernatural varies greatly from culture to culture. But allow me at least to discuss the reasons behind the curl in turn: my hands, first, which have only really opened the book to the very first page, that is, the first page of the “povel” proper, occasionally flipping to the back to consult the footnotes, and lingering on the mug shot of Nick Nolte, and reading Geraldine Kim’s biography, convinced, after repeated readings, that her past tenure as Governor of Texas was indeed within the realm of possibility, though not probability, but it is also likely that I am fudging the semantic / mathematical difference between the two words, that is, “possibility” and “probability,” since the lowest grade I ever received in college, as a Communication Arts major from my agricultural school at the foothills of a Philippine mountain, which by the way, is “bundok” in Tagalog, and is, if one remembers correctly, the only word of Philippine origin to insert itself into English without any specific Philippine denotation, that is, “boondocks,” was a crushing 2.5, which is the equivalent of a B-minus in American terms, for what was in fact the only mathematics-related class I took after high school, which was History of Mathematics, though I have no doubt that Geraldine Kim’s grades when she was at Yale were much lower, since it is common knowledge that she received a so-called “Gentleman’s C” average during her tenure at New Haven. In fact it took me two evenings alone to read the title of her book, staring at it glazed through jetlagged eyes, to which I gave the benefit of the doubt by actually reading it twice, since it was, after all, printed twice, and I am enjoying the book immensely, between bouts of grading and headache and the overall frenzied caloric consumption that characterizes the middle-class Philippine holiday season, though I am somewhat unsure what it is about, that is, the book, not the holiday season, even after closely reading Lyn Hejinian’s, or shall I say, “Lyn Hejinian’s,” explanatory introduction to her book, and I am in fact rather puzzled that Microsoft Word has gone and rudely placed a red squiggly line underneath “Povel” and “Azande” and “bundok” and “Hejinian,” especially since one wonders, shouldn’t “Hejinian” be a household name by now, up there with “Longoria” and “Aguilera,” neither of whom get squiggly lines? Let me discuss the second force behind the curl, that is, the supernatural force, shortly, but right now I am feeling dehydrated and should get up and drink a glass of water. I’ll be right back.

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The Best Music I Heard All Year, 2005 Edition.

Dec 29 2005 Published by Benito Vergara under music

In alphabetical order:


The Carter Family, In the Shadow of Clinch Mountain (2000)

A few weeks back a reader of this blog wrote to tell me that I was the only other Filipino he knew that was a fan of American folk music. I don’t understand it either; certainly it stirred up no strands of any sort of racial memory! American folk, in short, was the music that was most culturally alien to me; I never heard it growing up, or on the radio then and now. But there was something about the Carter Family that spoke to me in ways I can barely articulate — these rough-hewn, gorgeous voices calling from a faraway time and land, singing of the curt brutality of an interrupted life, the innocence of souls in love, and a faith in an incorruptible future.


M.I.A. & Diplo, Piracy Funds Terrorism, Volume 1 (2004)

Boomf boomf. Are there banlieue in London? I don’t think so. Choco slick and a kick in the teef. Chika chika. Tamil tiger daughter. Jungle guerrilla graphics. Hip pop history, Bangles and Pepa remixed. Hip hop is all de tournament anyway. Galang galang. You could be a follower but who’s your leader? Crank it up. Break that cycle or it will kill ya.


Robert Pollard, Zoom (2005)

It’s been a good year for the fans of the Robert Pollard Experience: a concert DVD, a band biography, three side-project albums, a soundtrack for a Steven Soderbergh film, an art chapbook, an album coming out from Merge next year, a nationwide concert tour, a box set with a hundred new songs — and this absolutely delightful four-song EP, sourced from some alternate ’70s pop universe.


Puffy, Nice. (2003)

Let’s get this clear: the vaguely Orientalist TV show on the Cartoon Network has nothing to do with their music. With that out of the way, let me talk about Nice. There are, of course, frequent moments of genius scattered all throughout their discography, but Nice. — an all-Andy Sturmer affair, but that shouldn’t scare you — is simply bursting with pop sweetness: the clap-your-hands-say-yeah! joy of “Long Beach Nightmare” (sheer perfection), the irrepressibly happy “Atarashii Hibi” (Brand New Day). Naysayers will say that every other riff seems to be stolen from somewhere else, but that’s part of the genius: a reclaiming of an international musical vocabulary that transcends all borders.


Teenage Fanclub, Songs from Northern Britain (1997)

Like most people, I first heard Teenage Fanclub when the cheerfully discordant anthem “The Concept” hit MTV; like most people, I (erroneously) figured they had more or less sunk without a trace as (again, erroneously) Glasgow’s response to grunge, cranking out similar-sounding albums from then on; like most people, I rediscovered the band through Nick Hornby’s Songbook, for which Hornby picked two songs.

Songs from Northern Britain is an album of transcendent beauty; the fact that it’s composed of the simplest four-minute love songs makes it even more of a marvel. (Which makes it a different kind of transcendent beauty than that of, say, Stevie Wonder’s Songs in the Key of Life, but I digress.)

I will cop out and quote instead some anonymous music fan, who wrote this review on Amazon.com:

Part of the grandeur of this record is a point which nearly everyone has missed: many of these songs are hymns to God. Listen to the first line of the record: “I don’t know if you can hear me, I’m feeling down and can’t think clearly….” This is not written for a girlfriend; it is written to God; a bare human call to his creator. And they are beautiful songs. There are none about drugs, none about being in Teenage Fanclub; but all are about what it is to be a spiritual being on this earth… If you think it is about girlfriends, you miss the point and much of the majesty. “I can’t feel my soul without you.” I could go on–this record brings tears to my eyes. It is staggering and epic.

I don’t necessarily agree with all of it — of course it’s about loved ones too — but the writer perfectly captures the spiritual core of the not-incompatible pulls of yearning and contentment throughout the album’s teenage symphonies to God. Musically, Teenage Fanclub draws from the three B’s (the Beatles, the Byrds, and Big Star), and they stand with those three on the strength of this album alone.

In any case, Teenage Fanclub’s Songs from Northern Britain was my favorite album of this year. Sometime this summer I started living with it, listening to it before I went to sleep, or when I woke up in the morning, I went running with it, I played it in the car and sang at the top of my lungs, all with an ache and joy in my heart. It must be what it’s like to be in love again.


TsuShiMaMiRe, Pregnant Fantasy (2004)

More details here. Key phrase: hair flying everywhere.

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The Best Music I Heard All Year, 2005 Edition: The Runners-up.

Dec 28 2005 Published by Benito Vergara under music

In alphabetical order:

Ryan Adams, Heartbreaker
   ”Ryan Adams??” At least two people questioned my choice of favorite albums, but Heartbreaker tided me over some: darkly romantic ballads straight from Dylan and Parsons territory.

Aitanna77, Spring Is Coming Soon
   I think, with something of a wince, that this is what is called “folktronica.” Labels aside, this is quietly arresting music, all disc whirr and guitar wisp, tweaked lullabies for cold and dry seasons.

Laura Cantrell, Humming by the Flowered Vine
   Laura Cantrell’s latest album is, to my ears, most analogous to Gillian Welch’s Time (The Revelator): a detour from Nashville / Scrabble Creek that confirms Cantrell as one of America’s finest pop singer-songwriters who chooses to work in the folk/country idiom (not that there’s anything wrong about being strictly country!).

M.Y.M.P, Beyond Acoustic / Soulful Acoustic
   If the songs weren’t so interchangeable and weren’t mostly picked from the same bottomless trough of Mellow Ballads, I would unhesitatingly add this pair of albums (now available as a two-disc set) to my favorite music for this year. M.Y.M.P. has a winning formula: take a song (“Waiting in Vain,” Ogie Alcasid’s “Sa Kanya”) and pair it up with elegant fingerpicking and luscious, buttery vocals. Don’t expect radical interpretations, or of new insights into the songs revealing themselves, but when you already have a set of cover versions even better than the originals, it’s some kind of gorgeous indeed.

The Polyphonic Spree, The Beginning Stages of the Polyphonic Spree
   Great sunshine pop, but you really really really have to watch them in concert to get the full gospel treatment.

Sleater-Kinney, The Woods
   The profane, overdriven din from your speakers is the new Sleater-Kinney album, brought to you by a band newly, terrifyingly, unleashed.

Kanye West, Late Registration
   Jay-Z calls him a genius, and maybe you should too. It may not be as fresh-sounding as his brilliant debut (my favorite album from last year), but Late Registration is still a sonic thrill: the urgent “Crack Music,” the soaring “Touch The Sky,” the hilarious “Gold Diggers.”

Yura Yura Teikoku, III
   Mislabeled by its promoters (at least in the U.S.) as “psych rock” (and therefore disappointing all the White Heaven / Rallizes / Acid Mothers Temple and the Melting Paraiso U.F.O. fans), Yura Yura Teikoku is straight-up irresistible pop-infused rock that works in any language.

Next: The Best Music I Heard All Year, 2005 Edition.

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Earworms, 2005 Edition.

Dec 27 2005 Published by Benito Vergara under music

My brother Bulletproof Vest has made an impeccable mix cd for the car (Missy Elliott, Keane, the Cardigans, U2, Sun 60), and I responded with my favorite songs of 2005, the results of which are below.

He’s not so impressed, however, with my ever-expanding 1600 Favorite Songs Of All Time List:

“I can’t believe you don’t have the New Pornographers’ “Letter from an Occupant!”

“I can’t believe you prefer the Iron & Wine cover of “Such Great Heights” over the Postal Service original!”

“I can’t believe you don’t have Guided By Voices’ “Fair Touching!” (Its omission was even more egregious to him because I had about 60 GbV songs on the list.)

People who clickwheel through the list on my iPod invariably tell me I have the wrong songs anyway.

“You picked the wrong Bloc Party song!” (It’s listed below, from the Bloc Party e.p.; Bulletproof Vest really likes “Like Eating Glass.”)

Or, “You have all the wrong Liz Phair songs!” (But “Stratford-on-Guyville” always seems to strike a chord with people who sit in my rustbucket car.)

Or, “You actually have a song by William Shatner?” (“Mr. Tambourine Man,” of course.)

So without any more chitchat, in alphabetical order, my Earworms of 2005. As in previous years, the list isn’t about songs actually released in 2005, but music that came my way (or were rediscovered) this year:

Ryan Adams, “Come Pick Me Up”
Bloc Party, “The Answer”
Bonnie Pink, “Evil and Flowers (Live)”
Laura Cantrell, “Letters”
The Spencer Davis Group, “Every Little Bit Hurts (Live)”
The English Beat, “Hands Off She’s Mine”
HALCALI, “Strawberry Chips”
Leela James, “Don’t Speak”
Lali Puna, “Bi-pet”
M.I.A. and Diplo, “Pop”
MISIA, “The Glory Day”
Motorhead, “I’ll Be Your Sister”
M.Y.M.P., “Sa Kanya”
Kitchie Nadal, “Wag Na Wag Mong Sasabihin”
The Pillows, “Hybrid Rainbow”
The Polyphonic Spree, “Light and Day”
PUFFY, “Atarashii Hibi [Brand New Day]”
Rilo Kiley, “Portions for Foxes”
Jimmie Rodgers, “Home Call”
Sleater-Kinney, “Jumpers”
Smoosh, “Massive Cure”
Matthew Sweet, “In My Tree”
Teenage Fanclub, “Ain’t That Enough”
TsuShiMaMiRe, “Manhole”
Weezer, “Pink Triangle”
Kanye West, “Gold Diggers”
Yum!Yum!Orange, “Letter”

Next, if I ever get to go online again: The Best Music I Heard All Year, 2005 Edition: The Runners-up.

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Last of the Screen Shots.

Dec 19 2005 Published by Benito Vergara under sine

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