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review

Ramona Diaz, “Imelda” (2003).

Saw Ramona Diaz’s Imelda with Barb last night, and my head is still reeling. It is a fine, fine documentary, and I am glad that there will be a theatrical release in the U.S. at some point this year; more people should see it (though a DVD is apparently coming out in 2005).

The film’s chief virtue — and there are many, from Grace Nono’s soundtrack to the careful editing (more about this in a second) — is the fact that Diaz lets Imelda talk on and on. We are treated to what seems like a severely delusional Imelda, completely in denial of reality — or so we are led to think.