“I think routine is a thing of the past for us,” Ichabod Crane says at the start of last week’s episode, “John Doe.” You can say that again. There’s nothing routine on this show. After all the satisfying mythology-setting of the previous episode, “The Lesser Key of Solomon,” we’re back to another lunatic entry in the season. As I wrote in my previous blog entry, it seems the writers haven’t quite settled on a rhythm yet, whether in terms of tone or narrative. I can’t quite figure out whether this is a good or bad thing.
One of the perils of writing these weekly blog entry squibs is that one ends up paying more critical attention to narrative logic — not necessarily a virtue compatible with something as loony as Sleepy Hollow. I have no doubt that subjecting some of my other favorite shows, like Grimm, to closer scrutiny would make it fall apart as Sleepy Hollow has — but still, it’s a total hoot, isn’t it? Even if I can’t figure out what’s going on anymore.
After wondering how the Sleepy Hollow writers would top the insanity of the pilot, I’m pleased to report that the second episode is even better. Its lunatic premise out of the way, the writers settle for a more relaxed (well, barely) police procedural episode. The headless horseman makes a brief cameo appearance in the prologue, along with his fellow Nazgul-like comrades, but now the episode features your stereotypical witch about to be burned at the stake but not before she utters a curse on the audience and their descendants. (Not sure why witch-burners always seem to forget to bring a gag or something; seriously, a little planning goes a long way.)
Fox’s new TV series Sleepy Hollow works nicely as something to satisfy my horror-fantasy cravings, and after seeing the extended preview I knew I was going to have to catch the pilot. Not sure what to make of it yet, as it’s only been one episode.
Best part: Sleepy Hollow is admirably nutty fun — as much fun as a headless guy wielding a broad axe and looking for his head would be — and part of the humor comes from the fact that the show is presenting this all with a straight face.